Evolution of Korean Fashion Trends: From Tradition to Modernity

Evolution of Korean Fashion Trends: From Tradition to Modernity

  • 기자명 Margarita Kichukova
  • 입력 2022.01.06 15:30
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Photo by Margarita Kichukova

 

[The Public = Margarita Kichukova] For the 2022 S/S ‘Caier’ collection, designer Kim Ah-young presented a collection that unraveled the harmony between East and West, tradition and modernity, with the Unhyeongung Palace in the background under the theme of ‘Tradition wears new.’ This Caier collection is mainly inspired by hanbok and palaces.

Nowadays, many of Korea's distinguished cultural specifics have become known worldwide. Korean food, entertainment, and language are becoming increasingly attractive to the foreign audiences. Especially with the growing fame of Korean pop culture, namely dramas and music, K-fashion did not go unnoticed on the global scene. So how did Korea evolve from a conservative traditional society to one of the most stylish countries today? 

Traditional Looks 

 

Photo by Kseniya Petukhova on Unsplash

  


For fans of Korean culture, it is no secret that classical fashion in the region emphasized modesty and manners. A great example of that is hanbok – traditional Korean costume which has been the most commonly-worn attire on the Peninsula for centuries. As you have probably noticed, this type of clothing is quite loose and it does not outline the body shape of the person wearing it.

Although this aspect has been well preserved, hanbok that we see today around palaces and during wedding ceremonies is vastly different than the original one. In fact, hanbok worn by commoners in the Joseon Dynasty (1392-1910) was rather simple with little to no decoration as it consisted of white top and black bottoms for both man and women alike. Colorful patterns and splendid decorations were worn exclusively by the noble strata of the population, also known as yangban.

Patterns depicted on the hanbok fabric had symbolic meaning in the past and people back then were rarely allowed to express their personal style as formal etiquette was strictly observed in the royal court. For example, embroidery patches with the images of cranes and tigers were designed especially for the civil and military officials, respectively. Also, a hanbok with a dragon decoration which is preferred by many tourists who enjoy wearing such traditional clothes as a cultural experience nowadays, was only worn by the king and no one else.


Fashion and the Elite

 

Photo by Jana Sabeth on Unsplash

Class division in the Joseon Dynasty was quite extreme and this stratification is believed to be one of the reasons for the fall of the last Korean kingdom. Yangbans would proudly demonstrate their wealth and class belonging, with one of the means to do so being fashion. As mentioned above, the difference between the way commoners and noble dressed was undeniable.

However, clothing had deeper meaning than just style. In particular, the bodies of the nobles were considered precious and they were not to be seen by anyone, that is why clothes were of especial importance for the chastity of their owner. Noble men went as far as to wash with their clothes on, even though in Joseon Dynasty men and women lived in different parts of the house due to the strict Confucian rules for separation of the sexes.

Due to the same ideology, noble women were rarely allowed to leave the house and when they did so, wearing many layers of clothes became an important part of their cover. In general, rich people were involved with intellectual activities and as such they worked mostly indoors, unlike the farmers who provided food and other supplies for the wellbeing of the nation.

That is why in Korea pale skin has been traditionally connected to nobility while tanned skin, on the other hand, has been associated with hard labor and lack of privilege. Even today, numerous white tanning salons can be seen in Seoul as opposed to the West where fake tanning is still a trend.

The Public / Margarita Kichukova webmaster@thepublic.kr 

더퍼블릭 / Margarita Kichukova webmaster@thepublic.kr

저작권자 © 더퍼블릭 무단전재 및 재배포 금지
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